{"id":167,"date":"2004-10-19T00:00:00","date_gmt":"2004-10-18T22:00:00","guid":{"rendered":"http:\/\/www.austerlitz.org\/cz\/2004\/televizni-napoleon-potreti\/"},"modified":"2024-11-27T15:33:55","modified_gmt":"2024-11-27T13:33:55","slug":"televizni-napoleon-potreti","status":"publish","type":"post","link":"https:\/\/www.austerlitz.org\/cz\/televizni-napoleon-potreti\/","title":{"rendered":"Televizn\u00ed Napoleon pot\u0159et\u00ed&#8230;"},"content":{"rendered":"<p style=\"text-align: justify\"><em>Ned\u00e1 n\u00e1m to a opr\u00e1\u0161\u00edme rok star\u00e9 zaplak\u00e1n\u00ed Ji\u0159\u00edho Kova\u0159\u00edka nad 3. d\u00edlem ne\u0161\u0165astn\u00e9ho francouzsk\u00e9ho televizn\u00edho seri\u00e1lu Napoleon. \u010cesk\u00e1 televize jej dorazila zaj\u00edmav\u00fdm p\u0159ekladem&#8230; u Tyl\u017ee se nap\u0159. \u0159e\u0161\u00ed &#8222;Rakousko-Uhersko&#8220; (nechce se n\u00e1m v\u011b\u0159it, \u017ee by to bylo i ve \u0161patn\u00e9m origin\u00e1lu), u J\u00edlov\u00e9ho je pora\u017eena &#8222;14. \u0159ada&#8220; (na mysli m\u00e1 b\u00e1sn\u00edk pravd\u011bpodobn\u011b trpk\u00fd osud state\u010dn\u00e9ho 14. pluku \u0159adov\u00e9 p\u011bchoty), aby vy\u0159e\u0161il probl\u00e9m ve \u0160pan\u011blsku, pos\u00edl\u00e1 tam c\u00edsa\u0159 z N\u011bmecka &#8222;sv\u016fj nejlep\u0161\u00ed pluk&#8220; (nen\u00ed divu, \u017ee se mu tam tedy neda\u0159ilo&#8230;) Pe\u010dliv\u011b tyto st\u0159\u00edpky sb\u00edr\u00e1me a a\u017e uvid\u00edme d\u00edl \u010dtvrt\u00fd, r\u00e1di se s v\u00e1mi o n\u011b pod\u011bl\u00edme&#8230;<\/em><\/p>\n<p style=\"text-align: justify\">Napoleon pot\u0159et\u00ed, smutn\u00e1 bilance Znovu jsem neodolal sebetr\u00fdzn\u011bn\u00ed a shl\u00e9dl i 3 d\u00edl francouzsk\u00e9ho televizn\u00edho seri\u00e1lu NAPOLEON, odvys\u00edlan\u00e9ho na kan\u00e1lu ZDF. Vzbudil-li 1 d\u00edl moje rozho\u0159\u010den\u00ed a 2 d\u00edl m\u011b vyprovokoval k sarkastick\u00e9mu vesel\u00ed, u 3 pokra\u010dov\u00e1n\u00ed jsem propadl depresivn\u00edmu smutku. Sc\u00e9n\u00e1\u0159 Didiera Decoina zahrnul obdob\u00ed od Tyl\u017ee po n\u00e1vrat z rusk\u00e9ho ta\u017een\u00ed, tj. od l\u00e9ta 1807 do konce roku 1812. Sch\u00e9ma je st\u00e1le stejn\u00e9, o kl\u00ed\u010dov\u00fdch ud\u00e1lostech, p\u0159\u00ed\u010din\u00e1ch, d\u016fsledc\u00edch a souvislostech se dozv\u00edme pram\u00e1lo a zpravidla skrze hlubokomysln\u00e9 \u00favahy hlavn\u00edch akt\u00e9r\u016f, co\u017e je hlavn\u011b c\u00edsa\u0159ovna Josef\u00edna (Isabella Rossellini), Napoleon (Christian Clavier) a Talleyrand (John Malkovich). V\u00fdjimku \u010din\u00ed Tyl\u017ee, kde se charmeur Alexandr zm\u011bnil v pon\u011bkud klackovit\u00e9ho postpubescenta (ostatn\u011b i \u0159eka s pr\u00e1mem uprost\u0159ed, na n\u011bm\u017e se sch\u016fzka uskute\u010dnila, p\u0159ipom\u00edn\u00e1 sp\u00ed\u0161e rybn\u00edk ve Stromovce). Celou \u0161pan\u011blskou problematiku div\u00e1kovi vysv\u011btl\u00ed selanka mezi Napoleonem a Josefinou n\u011bkde na hranic\u00edch u Bayonne, v n\u00ed\u017e se citov\u00e9 sc\u00e9ny jak z Harlek\u00fdnek m\u00eds\u00ed s politick\u00fdmi \u00favahami.<\/p>\n<p style=\"text-align: justify\">\u017de je \u0160pan\u011blsko prohnil\u00e9, v tom n\u00e1s utvrd\u00ed Napoleon\u016fv ob\u011bd s degenerovan\u00fdm kr\u00e1lem Karlem a je\u0161t\u011b degenerovan\u011bj\u0161\u00edm infantem Ferdinandem Astursk\u00fdm. O \u0161pan\u011blsk\u00e9 guerille se dozv\u00edme ze sc\u00e9ny, v n\u00ed\u017e je p\u00e1r modr\u00fdch p\u011b\u0161\u00e1k\u016f povra\u017ed\u011bno zu\u0159iv\u00fdmi venkovany. Murat (Claudio Amendola) za to vjede do vesnice a rozsek\u00e1, co mu p\u0159ijde pod ruku. O madridsk\u00e9m povst\u00e1n\u00ed 2. kv\u011btna n\u00e1s op\u011bt informuje v\u0161udyp\u0159\u00edtomn\u00fd Caulaincourt (Heino Ferch). Podobn\u011b se letmo dozv\u00edme o jmenov\u00e1n\u00ed Josefa Bonaparta \u0161pan\u011blsk\u00fdm kr\u00e1lem a pot\u00e9 o jeho \u00fat\u011bku z Madridu. V Erfurtu se na Napoleona rozhn\u011bv\u00e1 rusk\u00fd imper\u00e1tor a c\u00edsa\u0159 vyr\u00e1\u017e\u00ed do \u0160pan\u011bl; sc\u00e9na boji\u0161t\u011b, pln\u00e9ho zmrza\u010den\u00fdch Francouz\u016f, m\u00e1 asi dokreslit, \u017ee za Pyrenejemi narazil. Je to \u201eilustrativn\u00ed doprovod\u201c, kter\u00fd nem\u00e1 nic spole\u010dn\u00e9ho s Burgosem, Somosierrou, Zaragozou, Madridem ani \u201ehonem na Angli\u010dany\u201c sm\u011brem na La Corunu. Mimo \u0160pan\u011blsko zat\u00edm v\u0161ichni intrikuj\u00ed, aby se dostali na francouzsk\u00fd tr\u016fn, kdyby se s Napoleonem n\u011bco stalo. V\u00edde\u0148sk\u00fd dv\u016fr (kter\u00fd nevid\u00edme) zbroj\u00ed, Karolina Bonapartov\u00e1-Muratov\u00e1 (Marie B\u00e4umer) se sna\u017e\u00ed prosadit chot\u011b jako n\u00e1stupce, Murat b\u011bsn\u00ed, \u017ee nedostal \u0161pan\u011blsk\u00fd tr\u016fn, ale jen neapolsk\u00fd (p\u0159i\u010dem\u017e se n\u00e1m pohybuje soustavn\u011b v Pa\u0159\u00ed\u017ei), Talleyrand tomu nasazuje korunu. C\u00edsa\u0159 se rychle vr\u00e1t\u00ed ze \u0160pan\u011blska, obvin\u00ed ze v\u0161eho Josef\u00ednu, kterou probud\u00ed, pak ji ale odpros\u00ed\u2026<\/p>\n<p style=\"text-align: justify\">\u0160ipkou po map\u011b (moje babi\u010dka by v tomto p\u0159\u00edpad\u011b \u0159ekla \u201enosem po ruk\u00e1v\u011b\u201c) jedem Evropou, abychom n\u00e1zorn\u011b pochopili, co mus\u00edme uj\u00edt, abychom zm\u011b\u0159ili s\u00edly s Rakouskem. Bez zast\u00e1vky n\u00e1s \u0161ipka dovede za V\u00edde\u0148 a n\u00e1sleduje cosi, \u010demu jsem nemohl n\u011bjakou dobu v\u016fbec uv\u011b\u0159it. P\u0159edstavte si bitvu ve stylu \u201eboj o lesn\u00ed paseku\u201c. Asi pades\u00e1tka chlap\u016f, p\u016fl v modr\u00e9m, p\u016fl v b\u00edl\u00e9m, postupuje z jednoho konce na druh\u00fd, mezi nimi p\u0159ej\u00ed\u017ed\u011bj\u00ed na koni Napoleon a Lannes (Sebastian Koch), ob\u010das n\u011bkdo p\u0159eb\u011bhne po l\u00e1vce p\u0159es \u0159\u00ed\u010dku \u0161irokou jako Boti\u010d, jeden zl\u00fd rakousk\u00fd gran\u00e1tn\u00edk si vezme na mu\u0161ku c\u00edsa\u0159e a tref\u00ed jej do nohy, gran\u00e1t pak sraz\u00ed Napoleona z kon\u011b, to snad, aby i tupec pochopil, \u017ee se bitva neda\u0159\u00ed. Ustupuje se (nebo postupuje?) po pontonech p\u0159es vodn\u00ed tok zv\u00edc\u00ed Berounky v dob\u011b sucha, k nim\u017e n\u00e1hle p\u0159iplouv\u00e1 (za zd\u011b\u0161en\u00e9ho \u0159evu a Napoleonova nev\u011b\u0159\u00edcn\u00e9ho v\u00fdrazu) ho\u0159\u00edc\u00ed plovouc\u00ed ml\u00fdn, kter\u00fd vypad\u00e1 jak planouc\u00ed ledoborec Krasin a ud\u011bl\u00e1 tut\u00e9\u017e pr\u00e1ci. Pak najednou Napoleon vid\u00ed le\u017e\u00edc\u00edho Lannese, baron Larrey mu bude amputovat nohu, op\u011bt dojemn\u00fd dialog, a po n\u011bm sc\u00e9na jak Lannes um\u00edr\u00e1 Napoleonovi v n\u00e1ru\u010di.<\/p>\n<p style=\"text-align: justify\">Prohran\u00e1 bitva se jmenuje (nem\u00fdl\u00edm se, natolik n\u011bmecky um\u00edm) nikoliv Aspern, \u010di Essling, ale WAGRAM!!! Ano, \u010dtete dob\u0159e! Zanedlouho se Napoleon rozv\u00e1d\u00ed s Josef\u00ednou a bere si Marii-Louisu (Mavie H\u00f6rbiger). Nediv\u00edm se mu, je to nav\u00fdsost sexy plavovl\u00e1ska a sc\u00e9n\u00e1rista n\u00e1m dokazuje, jak je Napoleon ohniv\u00fd, mlad\u00fd a, \u010dten\u00e1\u0159 promine, i nadr\u017een\u00fd. Bohu\u017eel n\u00e1m vnucuje p\u0159edstavu, \u017ee si Napoleon rakouskou arciv\u00e9vodkyni vzal, aby n\u011bjak napravil nepoveden\u00fd v\u00fdsledek onoho filmov\u00e9ho ko\u010dkopsa jm\u00e9nem Aspern-Wagram. Asi nejpravdiv\u011bj\u0161\u00ed je sc\u00e9na narozen\u00ed budouc\u00edho kr\u00e1le \u0158\u00edmsk\u00e9ho a Orl\u00edka; o porodu se dozv\u00edme v\u00edc ne\u017e o cel\u00e9 v\u00e1lce. Dr. Corvisart (Sylvain Corthay) sice ve skute\u010dnosti Marii-Louisu nerodil, ale byl u toho a novorozence, kter\u00fd vypadal jako mrtv\u00fd, skute\u010dn\u011b k \u017eivotu p\u0159ivedl. Alespo\u0148 \u017ee tak\u2026 Po sladkoboln\u00e9 sc\u00e9n\u011b v Malmaisonu, kde se pt\u00e1 Napoleon exc\u00edsa\u0159ovny Josef\u00edny na to, zdali m\u00e1 v\u00e1l\u010dit s Ruskem (od \u010deho\u017e ona jej zrazuje a s p\u0159ehledem Carla von Clausewitz vysv\u011btluje, pro\u010d tam nem\u00e1 t\u00e1hnout) n\u00e1sleduje ta\u017een\u00ed do Ruska , kter\u00e9 je vrcholem nehor\u00e1znosti.<\/p>\n<p style=\"text-align: justify\">\u0160ipka n\u00e1s op\u011bt dovede a\u017e p\u0159ed Moskvu (Borodino tu nen\u00ed), z Poklonn\u00e9 hory si ji prohl\u00e9dneme a div\u00edme se, jak je lidupr\u00e1zdn\u00e1. Projedeme ulicemi, kter\u00e9 vypadaj\u00ed jako Mal\u00e1 Strana v Praze, kde je v pr\u016fhledu dotrikov\u00e1n Vasilij Bla\u017een\u00fd, vjedeme na koni do patra pal\u00e1ce v Kremlu, nech\u00e1me si vedle carsk\u00e9 postele postavit sv\u00e9 poln\u00ed l\u016f\u017eko, na n\u011bm\u017e n\u00e1s v noci vzbud\u00ed v\u0161udyp\u0159\u00edtomn\u00fd mameluk Roustam Raza (Jacky Nercessian). Ten rozhrne z\u00e1v\u011bs a my vid\u00edme, \u017ee je Moskva v jednom plameni! A to je, pros\u00edm, cel\u00e9 rusk\u00e9 ta\u017een\u00ed! \u017d\u00e1dn\u00e1 zima, um\u00edr\u00e1n\u00ed ve sn\u011bhu, Vjazma, Krasnoje, Berezina, nic, ani vte\u0159inka z\u00e1b\u011bru, prost\u011b najednou je Napoleon zp\u011bt v Pa\u0159\u00ed\u017ei a p\u0159em\u00fd\u0161l\u00ed, jestli mu Rakousko z\u016fstane v\u011brn\u00e9. To je konec 3. d\u00edlu\u2026 Z\u00e1v\u011bre\u010dn\u00e9 titulky jsem sledoval v n\u011bm\u00e9m \u00fadivu. Takov\u00fd sc\u00e9n\u00e1\u0159 \u017ee n\u011bkdo odsouhlasil a dal na n\u011bj pen\u00edze? V\u017edy&#8216; to vypad\u00e1 jako \u201eH\u0159\u00ed\u0161n\u00ed lid\u00e9 m\u011bsta brn\u011bnsk\u00e9ho\u201c z produkce brn\u011bnsk\u00e9 odno\u017ee \u010cT! Tohle \u017ee nato\u010dili Francouzi o mu\u017ei, kter\u00e9ho pova\u017euj\u00ed za jednu z nejv\u011bt\u0161\u00edch postav sv\u00e9 historie?<\/p>\n<p style=\"text-align: justify\">Jak mohl po vcelku dobr\u00fdch historick\u00fdch seri\u00e1lech \u201eFrancouzsk\u00e1 revoluce\u201c, \u201eRichelieu\u201c, \u010di \u201eMazarin\u201c vzniknout takov\u00fd paskvil? Nech\u00e1pu. Tolik l\u017e\u00ed, polopravd, zkreslen\u00ed\u2026 U\u017e v\u00edm, \u010demu se tento Napoleon podob\u00e1. P\u0159ipom\u00edn\u00e1 mi rakousk\u00fd televizn\u00ed film o c\u00edsa\u0159ovn\u011b Sissi, kter\u00fd (p\u0159i v\u0161\u00ed \u00fact\u011b k zesnul\u00e9 Romy Schneiderov\u00e9) nem\u011bl daleko k jihoamerick\u00e9 telenovele \u201eEsmeralda\u201c. Nejen proto, \u017ee hlavn\u00ed hrdina chod\u00ed \u010dasto v zelen\u00e9m kost\u00fdmu\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ned\u00e1 n\u00e1m to a opr\u00e1\u0161\u00edme rok star\u00e9 zaplak\u00e1n\u00ed Ji\u0159\u00edho Kova\u0159\u00edka nad 3. d\u00edlem ne\u0161\u0165astn\u00e9ho francouzsk\u00e9ho televizn\u00edho seri\u00e1lu Napoleon. \u010cesk\u00e1 televize jej dorazila zaj\u00edmav\u00fdm p\u0159ekladem&#8230; u Tyl\u017ee se nap\u0159. \u0159e\u0161\u00ed &#8222;Rakousko-Uhersko&#8220; (nechce se n\u00e1m v\u011b\u0159it, \u017ee by to bylo i ve \u0161patn\u00e9m origin\u00e1lu), u J\u00edlov\u00e9ho je pora\u017eena &#8222;14. \u0159ada&#8220; (na mysli m\u00e1 b\u00e1sn\u00edk pravd\u011bpodobn\u011b trpk\u00fd osud state\u010dn\u00e9ho 14. pluku \u0159adov\u00e9 p\u011bchoty), aby vy\u0159e\u0161il probl\u00e9m ve \u0160pan\u011blsku, pos\u00edl\u00e1 tam c\u00edsa\u0159 z N\u011bmecka &#8222;sv\u016fj nejlep\u0161\u00ed pluk&#8220; (nen\u00ed divu, \u017ee se mu tam tedy neda\u0159ilo&#8230;) Pe\u010dliv\u011b tyto st\u0159\u00edpky sb\u00edr\u00e1me a a\u017e uvid\u00edme d\u00edl \u010dtvrt\u00fd, r\u00e1di se s v\u00e1mi o n\u011b pod\u011bl\u00edme&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[129,28],"tags":[],"class_list":["post-167","post","type-post","status-publish","format-standard","hentry","category-nezobrazovat-na-homepage","category-recenze-a-anotace"],"_links":{"self":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts\/167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/comments?post=167"}],"version-history":[{"count":3,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts\/167\/revisions"}],"predecessor-version":[{"id":13939,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts\/167\/revisions\/13939"}],"wp:attachment":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/media?parent=167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/categories?post=167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/tags?post=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}