{"id":674,"date":"2005-08-16T00:00:00","date_gmt":"2005-08-16T00:00:00","guid":{"rendered":"http:\/\/www.austerlitz.org\/cz\/premiera-symfonie-austerlitz-1805-hudba-bitvy-pod-santonem\/"},"modified":"2024-11-27T15:33:44","modified_gmt":"2024-11-27T13:33:44","slug":"premiera-symfonie-austerlitz-1805-hudba-bitvy-pod-santonem","status":"publish","type":"post","link":"https:\/\/www.austerlitz.org\/cz\/premiera-symfonie-austerlitz-1805-hudba-bitvy-pod-santonem\/","title":{"rendered":"Premi\u00e9ra Symfonie Austerlitz 1805: hudba bitvy pod Santonem"},"content":{"rendered":"



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Ta s nap\u011bt\u00edm o\u010dek\u00e1van\u00e1 chv\u00edle leto\u0161n\u00edch Napoleonsk\u00fdch dn\u00ed v Tvaro\u017en\u00e9 nade\u0161la v sobotu v dev\u011bt ve\u010der, kdy cel\u00e9 le\u017een\u00ed zahalila tma. Na historick\u00e9m kopci Santon, o n\u011bj\u017e sv\u00e1d\u011bli roku 1805 t\u011b\u017ek\u00e9 boje Francouzi mar\u0161\u00e1la Lannese a Rusov\u00e9 gener\u00e1la kn\u00ed\u017eete Bagrationa, se r\u00fdsovala u\u017e jen jemn\u011b nasv\u011btlen\u00e1 silueta kapli\u010dky. Pak sv\u011btla oz\u00e1\u0159ila t\u0159i vysoko zav\u011b\u0161en\u00e9 zvony, jejich\u017e srdce za\u010dala dun\u011bt. Okam\u017eik k oslav\u011b a jako na m\u0161i, pak prudce, na poplach… To u\u017e siluetu Santonu oz\u00e1\u0159ily rud\u011b pl\u00e1polaj\u00edc\u00ed pochodn\u011b, nikoliv nepodobn\u00e9 t\u011bm Ji\u0159\u00edkovick\u00fdm oh\u0148\u016fm, jimi\u017e Napoleonovi voj\u00e1ci oslavovali v p\u0159edve\u010der bitvy prvn\u00ed v\u00fdro\u010d\u00ed korunovace sv\u00e9ho c\u00edsa\u0159e. Zpod kopce stoupal vzh\u016fru st\u00e1le hust\u0161\u00ed z\u00e1voj d\u00fdmu podobn\u00fd mlh\u00e1m nad \u00fadol\u00edm Zlat\u00e9ho potoka, je\u017e se tu p\u0159evalovaly onoho legend\u00e1rn\u00edho r\u00e1na 2. prosince 1805, na po\u010d\u00e1tku bitvy u Austerlitz\/Slavkova. Dun\u011bn\u00ed zvon\u016f ze zti\u0161ilo a p\u0159e\u0161lo v hudbu cel\u00e9 palety bic\u00edch n\u00e1stroj\u016f. Bylo v nich dun\u011bn\u00ed krok\u016f pochodov\u00fdch kolon, \u00fase\u010dn\u00e9 povely d\u016fstojn\u00edk\u016f, cinkot zbran\u00ed, tep kopyt, sk\u0159\u00edp\u011bn\u00ed kol d\u011bl… T\u0159i barvy proud\u016f sv\u011btel, t\u0159i bl\u00ed\u017e\u00edc\u00ed se vojska, t\u0159i c\u00edsa\u0159ov\u00e9…<\/p>\n

P\u00e1r slov, jen tolik, aby navodily atmosf\u00e9ru, p\u0159eru\u0161ilo ostatn\u00ed zvuky a ukon\u010dilo prvn\u00ed obraz, nazvan\u00fd Ta\u017een\u00ed<\/span>.<\/p>\n

Zvuky a sv\u011btla znovu p\u0159evzaly vl\u00e1du nad sc\u00e9nou pod Santonem. Jako kdyby nad pl\u00e1n\u011bmi z\u00e1padn\u011b od Slavkova vych\u00e1zelo slavn\u00e9 Le Soleil d\u00b4Austerlitz<\/span>, Slavkovsk\u00e9 slunce. Z hlavn\u00ed, seskupen\u00fdch do bateri\u00ed po obou stran\u00e1ch podia, vy\u0161lehly z\u00e1blesky, d\u011bla zadun\u011bla a do nich zapr\u00e1skaly v\u00fdst\u0159ely z pu\u0161ek. Salva, po n\u00ed druh\u00e1, dal\u0161\u00ed, do nich se zapojovaly bubny, zprvu kakofonie zvuk\u016f, pak ale bitevn\u00ed v\u0159ava, \u0159ev tis\u00edc\u016f hrdel, \u0159in\u010den\u00ed zbran\u00ed, tlukot kopyt v cvalu a trysku, st\u00e9n\u00e1n\u00ed ran\u011bn\u00fdch, k\u0159ik beznad\u011bje, v\u00edt\u011bzstv\u00ed, euforie i smrti, to v\u0161e v\u00edc ne\u017e p\u016fsobiv\u011b podbarveno sv\u011bteln\u00fdmi efekty, v\u00fdbuchy raket a v\u011bj\u00ed\u0159i sv\u011btlic. D\u00e9mon v\u00e1lky p\u0159evzal vl\u00e1du nad celou krajinou.<\/p>\n

Obraz bitvy, v po\u0159ad\u00ed druh\u00fd, p\u0159e\u0161el v dal\u0161\u00ed tak\u0159ka neznateln\u011b a plynule. V\u0161e se zjemnilo, bu\u0161en\u00ed srdc\u00ed a v\u00e1\u0161n\u011b bojuj\u00edc\u00edch utichaly, jako kdyby se klesalo k zemi, otev\u00edraj\u00edc\u00ed n\u00e1ru\u010d sv\u00fdm syn\u016fm ze sladk\u00e9 Francie, \u0161ir\u00e9 Rusi, rozmarn\u00e9ho Rakouska, \u010desk\u00fdch hvozd\u016f i moravsk\u00fdch vinic. Ryk v\u00edt\u011bzstv\u00ed se m\u011bnil v rekviem za padl\u00e9, nad nimi\u017e jako kdyby sv\u011btla kreslila vyr\u016fstaj\u00edc\u00ed tr\u00e1vu a ra\u0161\u00edc\u00ed kv\u011bty. Znovu zadun\u011bly t\u0159i zvony a jejich hlas se nesl jinak ne\u017e na po\u010d\u00e1tku. Do nich se u\u017e ozvalo jen p\u00e1r stroh\u00fdch a p\u0159esto v\u00fdmluvn\u00fdch slov, jakoby vytr\u017een\u00fdch ze slavn\u00fdch proklamac\u00ed, bulletin\u016f a rozkaz\u016f: \u201eV\u00e1lka, bitva, utrpen\u00ed, smrt, v\u00edt\u011bzstv\u00ed…\u201c Nejprve \u010desky, pak rusky, francouzsky, n\u011bmecky…<\/p>\n

Ne, tuto symfonii nelze srovnat s \u010cajkovsk\u00e9ho P\u0159edehrou 1812<\/span>, ani s Beethovenou Eroicou<\/span>, a p\u0159esto zazn\u011bla velebn\u011b. Pocity, na po\u010d\u00e1tku mo\u017en\u00e1 sm\u00ed\u0161en\u00e9, p\u0159e\u0161ly v souzn\u011bn\u00ed se zvuky i sv\u011btly, ve vta\u017een\u00ed do emotivn\u00edch obraz\u016f. V\u0161ichni na po\u010d\u00e1tku v\u011bd\u011bli, \u017ee nep\u016fjde o symfonii v klasick\u00e9m slova smyslu, a p\u0159esto sly\u0161eli symfonickou b\u00e1se\u0148, kterou neposlouchali, ale pro\u017e\u00edvali. Pokud modern\u00ed hudba dok\u00e1\u017ee hovo\u0159it k u\u0161\u00edm ne\u0161kolen\u00fdch poslucha\u010d\u016f, pak to bylo tam a tehdy, v on\u011bch chv\u00edl\u00edch pod Santonem. Ohl\u00ed\u017eel jsme se tmou sm\u011brem p\u0159es stany le\u017een\u00ed a nap\u0159\u00ed\u010d polem k silnici do Tvaro\u017en\u00e9. Bylo pln\u00e9, skoro hlava na hlav\u011b… <\/p>\n

Symfonie Austerlitz 1805 pro st\u0159edoevropsk\u00fd soubor bic\u00edch n\u00e1stroj\u016f DAMA DAMA, baterii kan\u00f3n\u016f a seskupen\u00ed st\u0159elc\u016f<\/span>, jak zn\u00ed cel\u00fd n\u00e1zev, d\u00edlo Dana Dlouh\u00e9ho jako autora hudby a Ing. Ivana Mart\u00ednka jako autora projektu i libreta, m\u011bla pod Santonem svoji premi\u00e9ru. D\u00edky za ni nejen od div\u00e1k\u016f, ale i od t\u011bch, kter\u00e9 p\u0159ipom\u00ednala, oslavovala a oplak\u00e1vala…<\/p>\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

Spisovatel Ji\u0159\u00ed Kova\u0159\u00edk n\u00e1m napsal svoje zhodnocen\u00ed a dojmy z premi\u00e9ry Symfonie Austerlitz 1805 pod Santonem 13. 8. 2005.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[129,47],"tags":[],"class_list":["post-674","post","type-post","status-publish","format-standard","hentry","category-nezobrazovat-na-homepage","category-200-vyroci-v-roce-2005"],"_links":{"self":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts\/674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/comments?post=674"}],"version-history":[{"count":1,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts\/674\/revisions"}],"predecessor-version":[{"id":1523,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts\/674\/revisions\/1523"}],"wp:attachment":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/media?parent=674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/categories?post=674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/tags?post=674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}