{"id":822,"date":"2007-06-13T00:00:00","date_gmt":"2007-06-13T00:00:00","guid":{"rendered":"http:\/\/www.austerlitz.org\/cz\/bili-a-modri-aneb-obraz-francie-v-letech-1793-1799\/"},"modified":"2024-11-27T15:33:30","modified_gmt":"2024-11-27T13:33:30","slug":"bili-a-modri-aneb-obraz-francie-v-letech-1793-1799","status":"publish","type":"post","link":"https:\/\/www.austerlitz.org\/cz\/bili-a-modri-aneb-obraz-francie-v-letech-1793-1799\/","title":{"rendered":"B\u00edl\u00ed a mod\u0159\u00ed, aneb obraz Francie v letech 1793-1799"},"content":{"rendered":"

V ned\u00e1vn\u00e9 dob\u011b se objevila u knihkupc\u016f novinka, kter\u00e9 jsem neodolal a o n\u00ed\u017e se mus\u00edm pod\u011blit. Nakladatelstv\u00ed Baronet vydalo pom\u011brn\u011b nezn\u00e1m\u00fd rom\u00e1n Alexandra Dumase star\u0161\u00edho (pokud v\u00edm, vy\u0161el za 1. republiky jen jednou, v monument\u00e1ln\u00edm cyklu \u201eDrama Francie\u201c) s n\u00e1zvem B\u00edl\u00ed a mod\u0159\u00ed.<\/p>\n

\n

P\u0159ebal s Meissonierov\u00fdm obrazem \u201e1812\u201c je sice pon\u011bkud zav\u00e1d\u011bj\u00edc\u00ed, modern\u00ed p\u0159eklad ale vypad\u00e1 velmi slu\u0161n\u011b a obsah tvo\u0159\u00ed ide\u00e1ln\u00ed \u010detbu do hork\u00fdch dn\u00ed. Je to rom\u00e1nov\u00e1 kronika, za\u010d\u00ednaj\u00edc\u00ed hodn\u011b krvav\u00fdm revolu\u010dn\u00edm terorem ve \u0160trasburku roku 1793, popisuj\u00edc\u00ed v\u00e1lku na R\u00fdn\u011b, frimairov\u00fd pokus o p\u0159evrat \u010di krvav\u00fd vend\u00e9miaire a kon\u010d\u00edc\u00ed Bonapartov\u00fdm n\u00e1vratem z Egypta. Slo\u017eit\u00e9 a ud\u00e1lostmi nabit\u00e9 obdob\u00ed zahrnuje v rom\u00e1nu (jak n\u00e1zev napov\u00edd\u00e1) nejen boje republik\u00e1n\u016f s emigranty \u010di chouany, ale i v\u00e1lku v N\u011bmecku, It\u00e1lii a za mo\u0159em. \u010cte se to velmi p\u011bkn\u011b, p\u0159ipust\u00edme-li onu roztomilou naivitu dialog\u016f poloviny XIX. stolet\u00ed, a tentokr\u00e1t Velk\u00fd vyprav\u011b\u010d mati\u010dku historii p\u0159\u00edli\u0161 nep\u0159ekrucuje, ani nefabuluje. Naopak, jak dozn\u00e1v\u00e1, vych\u00e1z\u00ed z mnoha \u010drt u n\u00e1s nezn\u00e1m\u00e9ho francouzsk\u00e9ho liter\u00e1ta Charlese Nodiera (jen\u017e napsal mj. portr\u00e9tn\u00ed vzpom\u00ednky na Charlotu Cordayovou, Saint-Justa, plukovn\u00edky Fourniera a Foye, gener\u00e1la Pichegrua, etc). Hlavn\u00edmi postavami jsou tu mladi\u010dk\u00fd Charles Nodier, krvav\u00fd \u0161trasbursk\u00fd komisa\u0159 Eulog Schneider (pokud budete tu d\u011bsivou pas\u00e1\u017e o n\u011bm a jeho svatb\u011b \u010d\u00edst, v\u011bzte, \u017ee je svrchovan\u011b autentick\u00e1), fanaticky spravedliv\u00fd Saint-Just, ser\u017eant Augereau (budouc\u00ed mar\u0161\u00e1l), plukovn\u00edk Macdonald (tak\u00e9 budouc\u00ed mar\u0161\u00e1l), gener\u00e1lov\u00e9 Pichegru, Hoche, Moreau, princ de Cond\u00e9, v\u00e1\u0161niv\u00fd roajalista Cadoudal a pochopiteln\u011b i Bonaparte.<\/p>\n

\"bam.jpg<\/div>\n<\/div>\n
\n

B\u00edl\u00ed a mod\u0159\u00ed tvo\u0159\u00ed vlastn\u011b prvn\u00ed \u010d\u00e1st trilogie, jej\u00ed\u017e posledn\u00ed a nedokon\u010den\u00fd svazek vydalo tot\u00e9\u017e nakladatelstv\u00ed minul\u00fd rok pod n\u00e1zvem Ryt\u00ed\u0159 Saint-Hermine, p\u0159i\u010dem\u017e se jednalo o onen pom\u011brn\u011b ned\u00e1vno objeven\u00fd a do t\u00e9 doby nezn\u00e1m\u00fd rukopis. Prost\u0159edn\u00ed svazek Dru\u017eina Jehu slibuje Baronet na p\u0159\u00ed\u0161t\u00ed rok. Snad alespo\u0148 tomuto k n\u011bmu p\u0159id\u00e1 vydavatel t\u011bch p\u00e1r str\u00e1nek na obsah s n\u00e1zvy kapitol, co\u017e je asi jedin\u00e9, co mu lze vytknout.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

V ned\u00e1vn\u00e9 dob\u011b se objevila u knihkupc\u016f novinka, kter\u00e9 jsem neodolal a o n\u00ed\u017e se mus\u00edm pod\u011blit. Nakladatelstv\u00ed Baronet vydalo pom\u011brn\u011b nezn\u00e1m\u00fd rom\u00e1n Alexandra Dumase star\u0161\u00edho (pokud v\u00edm, vy\u0161el za 1. republiky jen jednou, v monument\u00e1ln\u00edm cyklu \u201eDrama Francie\u201c) s n\u00e1zvem B\u00edl\u00ed a mod\u0159\u00ed.<\/p>\n","protected":false},"author":2,"featured_media":14679,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[129,28],"tags":[],"class_list":["post-822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nezobrazovat-na-homepage","category-recenze-a-anotace"],"_links":{"self":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts\/822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/comments?post=822"}],"version-history":[{"count":2,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts\/822\/revisions"}],"predecessor-version":[{"id":14680,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/posts\/822\/revisions\/14680"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/media\/14679"}],"wp:attachment":[{"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/media?parent=822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/categories?post=822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.austerlitz.org\/cz\/wp-json\/wp\/v2\/tags?post=822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}